A stunning split-screen short dealing with what Schroeter called "archaic, fundamental themes" of love and mourning. Juxtaposing a black-and-white silent image with a colour sound one of the same person or scene, slightly staggering the second image until it becomes "a memory of the other," Argila recalls Warhol's twin-projector opus The Chelsea Girls, though Schroeter claimed he was unaware of that film at the time.