Backbone: Early Vancouver Experimental Cinema

Approx. Duration: 1 hour 51 minutes

Backbone: Early Vancouver Experimental Cinema

Approx. Duration: 1 hour 51 minutes

Backbone: Early Vancouver Experimental Cinema

Approx. Duration: 1 hour 51 minutes

Backbone: Early Vancouver Experimental Cinema

Approx. Duration: 1 hour 51 minutes

Backbone: Early Vancouver Experimental Cinema

Approx. Duration: 1 hour 51 minutes

Backbone: Early Vancouver Experimental Cinema

Approx. Duration: 1 hour 51 minutes

TIFF Cinematheque - Free Screen

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Curator Richard Martin presents a programme of recent digital restorations of key works from a particularly fertile period of Canadian image-making.

Curated by Richard Martin

Alex MacKenzie in person!

Vancouver's film scene of the late sixties and seventies was a well of exploratory talent. Nurtured by genre-bending organizations like the Inter-Media Arts Society, a new generation of filmmakers explored a range of possibilities of what film could be, from psychedelic head-trips to experimental dramas to feminist critiques.

In his documentary Backbone: Early Vancouver Experimental Cinema, curator Richard Martin interviews many of the artists working during this era alongside current practitioners like Alex MacKenzie, eliciting numerous fascinating anecdotes. Back then, the filmmakers were a motley crew: the iconoclastic Al Razutis built his own optical printer and projected films on downtown buildings; the serene David Rimmer haggled for support from the local NFB offices even while remixing their footage into his own structural films. Most have continued to work in film, some (Razutis, Rimmer and Chris Gallagher) continuing in experimental practice, while others (Sturla Gunnarsson, Kirk Tougas and Tom Braidwood) have made their mark in the Canadian mainstream. In either case, the films they made in the seventies both foresaw their future talents and documented an important moment of creativity and uncompromising experimentation.

With the support of Moving Images Distribution, Richard Martin created the Backbone project as a way to remind us of that moment and return these films into circulation. While some, like Canadian Pacific 1 and The Central Character, have long been accepted into the canon of Canadian cinema (although they are still rarely seen), others, such as Steel Mushrooms and In Black and White, have been almost completely lost from view. These recent digital restorations bring the films back in all their visual glory, reasserting the visceral impact of a particularly fertile period of Canadian image-making.

Backbone: Early Vancouver Experimental Cinema 1967-1981 was supported by the Initiatives program, Canada Council for the Arts, and this presentation was supported by the touring program, British Columbia Council Arts Council.

www.backbone.ca

Moving Images Distribution and Acme Motion Pictures present the Toronto premiere of Richard Martin's documentary Backbone: Vancouver Experimental Cinema on Saturday, November 9 at 8pm at Innis Town Hall, University of Toronto.

www.backbonefilm.ca/#!trailer/cq29

Steel Mushrooms (dir. Gary Lee-Nova \ Canada 1967 \ 7.5 min. \ 16mm on video)

Lumere's Train (Arriving at the Station) (dir. Al Razutis \ Canada 1979 \ 9 min. \ 16mm on video)

A Day Much Like the Others (dir. Sturla Gunnarsson \ Canada 1977 \ 4 min. \ 16mm on video)

Seeing in the Rain (dir. Chris Gallagher \ Canada 1981 \ 10 min. \ 16mm on video)

The Central Character (dir. Patricia Gruben \ Canada 1977 \ 15 min. \ 16mm on video)

Canadian Pacific 1 (dir. David Rimmer \ Canada 1974 \ 11 min. \ 16mm on video)

Backbone (dir. Tom Braidwood \ Canada 1972 \ 11 min. \ 16mm on video)

Eclipse (dir. Peter Lipskis \ Canada 1979 \ 3.5 min. \ 16mm on video)

Far From Quebec (Loin du Québec) (dir. Kirk Tougas \ Canada 1971 \ 15 min. \ 16mm on video)

In Black and White (dir. Michael McGarry \ Canada 1979 \ 10 min. \ 16mm on video)

Guest Biography

    • Alex MacKenzie
    • Alex MacKenzie is an experimental film artist working primarily with analog equipment and hand-processed imagery. He creates works of expanded cinema, light projection installation, and projector performance. His work has screened at the Rotterdam International Film Festival, the EXiS Experimental Film Festival in Seoul, Lightcone in Paris, Kino Arsenal in Berlin and elsewhere. MacKenzie was the founder and curator of the Edison Electric Gallery of Moving Images, the Blinding Light!! Cinema and the Vancouver Underground Film Festival. He was an artist in residence at Atelier MTK in Grenobles, France and Struts Gallery/Faucet Media in New Brunswick. MacKenzie co-edited Damp: Contemporary Vancouver Media Art (Anvil Press 2008), and interviewed David Rimmer for Loop, Print, Fade + Flicker: David Rimmer's Moving Images (Anvil Press 2009). He was recently Artist in Residence at Cineworks' Analog Film Annex in Vancouver.